{"id":25792,"date":"2024-07-19T11:56:14","date_gmt":"2024-07-19T08:56:14","guid":{"rendered":"https:\/\/vilnius-jewish-public-library.com\/?p=25792"},"modified":"2024-07-19T16:07:19","modified_gmt":"2024-07-19T13:07:19","slug":"naujos-knygos-bibliotekoje","status":"publish","type":"post","link":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/2024\/07\/19\/naujos-knygos-bibliotekoje\/","title":{"rendered":"Naujos knygos bibliotekoje"},"content":{"rendered":"\n

\u0160i\u0105 savait\u0119 kvie\u010diame pasi\u017evalgyti po bibliotekos naujien\u0173 lentyn\u0105, kur ka\u017ek\u0105 \u012fdomaus ras \u012fvairi\u0173 pom\u0117gi\u0173 skaitytojai. \u0160iuos ir kitus leidinius galite pasiimti \u012f namus u\u017esuk\u0119 \u012f Vilniaus \u017eyd\u0173 vie\u0161\u0105j\u0105 bibliotek\u0105 arba u\u017esisakyti per internetin\u012f portal\u0105 https:\/\/ibiblioteka.lt\/ <\/a><\/p>\n\n\n\n

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Jonathan Sacks: \u201eMoral\u0117\u201c : [filosofija, teologija] \/ Vilnius: Tyto kalba, 2021.<\/strong><\/p>\n\n\n\n

N\u0117ra laisv\u0117s be moral\u0117s. Laisv\u0117s be atsakomyb\u0117s. Gyvybingo \u201eA\u0161\u201c be tvaraus \u201eMes\u201c.<\/p>\n\n\n\n

\u201eJonathanas Sacksas yra vienas did\u017eiausi\u0173 m\u016bs\u0173 laik\u0173 moralini\u0173 m\u0105stytoj\u0173. Naujausioje jo knygoje \u201eMoral\u0117” jo galingas po\u017ei\u016bris taikomas sprend\u017eiant precedento neturin\u010dius m\u016bs\u0173 laik\u0173 i\u0161\u0161\u016bkius – socialinius, politinius, ekonominius ir, svarbiausia, kult\u016brinius. Tegul \u012f jo \u017eod\u017eius \u012fsiklauso visa \u0161alis.” – autorius Robertas D. Putnamas<\/p>\n<\/div><\/div>\n\n\n\n

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Masterpieces of Jewish Art \/ G. Kasovsky<\/strong>, Alexander Kantsedikas; Moscow: IMAGE Advertising & Publishing House in Moscow,
1993.<\/strong><\/p>\n\n\n\n

The history of the Vitebsk School, its pecullarities and poetics, can hardly be understood without passing judgment on the personality of its founder, Yehuda Pen, as a certain hostorical-cultural phenomenon; he represented a type characteristic of the Russian intelligentsia of the late 19th century, but a type that nevertheless remainder virtually beyond the scope of studies or writings. Russian\/English. <\/p>\n\n\n\n

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\u0421\u0442\u043e\u0440\u0456\u043d\u043a\u0438 \u0454\u0432\u0440\u0435\u0439\u0441\u044c\u043a\u043e\u0433\u043e \u043c\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430 \u0423\u043a\u0440\u0430\u0457\u043d\u0438: \u043d\u0430\u0432\u0447\u0430\u043b\u044c\u043d\u0438\u0439 \u043f\u043e\u0441\u0456\u0431\u043d\u0438\u043a \u0434\u043b\u044f \u0443\u0447\u043d\u0456\u0432 \u043b\u0456\u0446\u0435\u0457\u0432 \/ \u041d\u0430\u0442\u0430\u043b\u0438\u044f \u0420\u044b\u043d\u0434\u044e\u043a\u041d\u0430\u0442\u0430\u043b\u0438\u044f \u0411\u0430\u043a\u0443\u043b\u0438\u043d\u0430\u0410\u043d\u043d\u0430 \u0423\u043c\u0430\u043d\u0441\u043a\u0430\u044f<\/strong>; \u0414\u0443\u0445 \u0456 \u041b\u0456\u0442\u0435\u0440\u0430, 2018.<\/strong><\/p>\n\n\n\n

\u0426\u0435\u0439 \u043f\u043e\u0441\u0456\u0431\u043d\u0438\u043a \u0440\u043e\u0437\u0433\u043e\u0440\u0442\u0430\u0454 \u0441\u0442\u043e\u0440\u0456\u043d\u043a\u0438 \u0441\u0432\u0456\u0442\u0443 \u0454\u0432\u0440\u0435\u0439\u0441\u044c\u043a\u043e\u0457 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0457 \u0442\u0430 \u043c\u0438\u0441\u0442\u0435\u0446\u044c\u043a\u043e\u0457 \u0441\u043f\u0430\u0434\u0449\u0438\u043d\u0438 \u043d\u0430 \u0442\u0435\u0440\u0435\u043d\u0430\u0445 \u0423\u043a\u0440\u0430\u0457\u043d\u0438. \u0422\u0430\u043a\u043e\u0436 \u0432\u0438 \u0437\u043c\u043e\u0436\u0435\u0442\u0435 \u0434\u0456\u0437\u043d\u0430\u0442\u0438\u0441\u044f \u043f\u0440\u043e \u0440\u0435\u043b\u0456\u0433\u0456\u0439\u043d\u043e-\u0444\u0456\u043b\u043e\u0441\u043e\u0444\u0441\u044c\u043a\u0438\u0439 \u0437\u043c\u0456\u0441\u0442 \u044e\u0434\u0435\u0439\u0441\u044c\u043a\u043e\u0457 \u0442\u0440\u0430\u0434\u0438\u0446\u0456\u0457, \u0449\u043e \u0454 \u043f\u0456\u0434\u0491\u0440\u0443\u043d\u0442\u044f\u043c \u0441\u0443\u0447\u0430\u0441\u043d\u043e\u0457 \u0454\u0432\u0440\u0435\u0439\u0441\u044c\u043a\u043e\u0457 \u043c\u0438\u0441\u0442\u0435\u0446\u044c\u043a\u043e\u0457 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438, \u0456 \u0434\u0435\u0442\u0430\u043b\u044c\u043d\u043e \u0440\u043e\u0437\u0433\u043b\u044f\u043d\u0443\u0442\u0438 \u0435\u0432\u043e\u043b\u044e\u0446\u0456\u044e \u0454\u0432\u0440\u0435\u0439\u0441\u044c\u043a\u043e\u0433\u043e \u043c\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430 \u0432\u0456\u0434 \u0439\u043e\u0433\u043e \u0442\u0440\u0430\u0434\u0438\u0446\u0456\u0439\u043d\u0438\u0445 \u0444\u043e\u0440\u043c \u0434\u043e \u0441\u044c\u043e\u0433\u043e\u0434\u0435\u043d\u043d\u044f. \u0423\u043a\u0440\u0430\u0438\u043d\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a.<\/p>\n<\/div><\/div>\n\n\n\n

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German Jewish literature after 1990: [literature, literary texts] \/ Katja Garloff, Agnes Mueller<\/strong>; New York: Camden House, 2018.<\/strong><\/p>\n\n\n\n

The 1990 reunification of Germany gave rise to a new generation of writers who write in German, identify as both German and Jewish, and often also sustain cultural affiliations with places such as Russia, Azerbaijan, or Israel. This edited volume traces the development of this new literature into the present, offers fresh interpretations of individual works, and probes the very concept of „German Jewish literature.” A central theme is the transformation of memory at a time when the Holocaust is moving into greater historical distance while the influx of new immigrant groups to Germany brings other past trauma into view. The volume’s ten original essays by scholars from Europe and the U.S. reframe the debates about Holocaust memory and contemporary German culture. The concluding interviews with authors Mirna Funk and Olga Grjasnowa offer a glimpse into the future of German Jewish literature.<\/p>\n\n\n\n

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Boris Schatz: \u201eIzraelio meno t\u0117vas\u201c i\u0161 Varni\u0173: [parodos knyga] \/ Jolanta \u0160irkait\u0117<\/strong>; Vilnius: Lietuvos kult\u016br\u0173 tyrim\u0173 institutas, 2020.<\/strong><\/p>\n\n\n\n

2020 spalio m\u0117nes\u012f i\u0161 Schatz\u0173 nam\u0173 [The Schatz House – aut. past<\/em>.] Jeruzal\u0117je Vilniaus Gaono \u017eyd\u0173 istorijos muziej\u0173 pasiek\u0117 26 i\u0161skirtiniai meno k\u016briniai, tokie kaip sunkiasvoris bareljefas \u201eAvo devintoji\u201c (1915 m.) ir juvelyrin\u0117s atminimo plaket\u0117s bei medaliai. Vilniaus Gaonui ir Lietuvos \u017eyd\u0173 istorijos metams skirt\u0105 parod\u0105 Boris Schatz: \u201eIzraelio meno t\u0117vas\u201c i\u0161 Varni\u0173<\/em> koordinavo Tolerancijos centro bei Samuelio Bako padalinio vadov\u0117 Ieva \u0160adzevi\u010dien\u0117, kuravo – Lietuvos kult\u016bros tyrim\u0173 instituto direktoriaus pavaduotoja dr. Jolanta \u0160irkait\u0117, taip pat parengusi ir parodos katalog\u0105 – knyg\u0105, kurioje pristatoma menininko gyvenimo istorija ir parodoje eksponuoti k\u016briniai.<\/p>\n<\/div><\/div>\n\n\n\n

Gro\u017ein\u0117 literat\u016bra Holokausto tema<\/h4>\n\n\n\n
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Ka\u017ekur vis tiek i\u0161au\u0161ta rytas: Holokausto dienora\u0161tis \/ Michael Gruenbaum, Todd Hasak-Lowy; Vilnius: Alma littera, 2023.<\/strong><\/p>\n\n\n\n

Padedamas pripa\u017einto amerikie\u010dio ra\u0161ytojo Toddo Hasak-Lowy\u2019io, Michaelas Gruenbaumas savo sukre\u010dian\u010diuose memuaruose dalijasi jaudinan\u010dia vilties istorija. Tai pasakojimas apie sugriaut\u0105 vaikyst\u0119, siaub\u0105, o kartu vilt\u012f, \u0161eimos meil\u0119 ir draugyst\u0119. Papildyta tikrais dokumentais ir nuotraukomis, apdovanota Nacionaline \u017eyd\u0173 knygos premija, JAV literat\u016bros premijos \u201eT\u0117v\u0173 pasirinkimas\u201c aukso medaliu, knyga yra svarbus ind\u0117lis \u012f literat\u016br\u0105 apie Holokaust\u0105.<\/p>\n<\/div><\/div>\n\n\n\n

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Raudonas kaspinas: [romanas] \/ Lucy Adlington; Vilnius: Alma littera, 2023.<\/strong><\/p>\n\n\n\n

Sukre\u010dianti tikr\u0173 Holokausto \u012fvyki\u0173 \u012fkv\u0117pta istorija apie draugyst\u0119, dr\u0105s\u0105 ir lemiamus pasirinkimus atsid\u016brus ten, i\u0161 kur daugelis negr\u012f\u017eta.
Ber\u017eyno pasaulyje n\u0117ra nei teisyb\u0117s, nei gro\u017eio. Bet b\u016btent gro\u017e\u012f paaugl\u0117 Ela privalo kurti. Dygsnis po dygsnio jos rankose gimsta nuostabios suknel\u0117s. Kiekviena i\u0161 j\u0173 gali lemti gyvenim\u0105 arba mirt\u012f.
Para\u0161yti \u201eRaudon\u0105 kaspin\u0105\u201c autor\u0119 \u012fkv\u0117p\u0117 tikra Holokausto istorijos dalis apie koncentracijos stovykloje \u012fkalintas \u017eydes, kurios tam, kad likt\u0173 gyvos, prival\u0117jo si\u016bti madingus garderobus SS karinink\u0173 \u017emonoms.<\/p>\n<\/div><\/div>\n\n\n\n

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Mergina, kuri pab\u0117go i\u0161 Au\u0161vico: [istorinis romanas]\/ Ellie Midwood; Vilnius: Sofoklis, 2023.<\/strong><\/p>\n\n\n\n

Tikra Malos Zimetbaum gyvenimo istorija paremtas romanas apie moter\u012f, kurios narsa ir ry\u017etas pakeit\u0117 istorijos eig\u0105.
Mala, kalin\u0117 19880, vos i\u0161lipusi i\u0161 gyvuliams skirto traukinio, supranta atsid\u016brusi pa\u010diame pragare. Ilgainiui tapusi SS vert\u0117ja, ji tuo naudojasi, kad i\u0161gelb\u0117t\u0173 kuo daugiau gyvybi\u0173, slap\u010dia perduodama duonos riekeli\u0173 alkstantiesiems.
Edekas, politinis kalinys 531 \u2013 stovyklos senbuvis. Buv\u0119s laivybos mokyklos kadetas atrodo kaip visi: vilki dry\u017euota pi\u017eama, jo galva nuskusta. Ta\u010diau i\u0161 ties\u0173 \u0161is vyras priklauso pogrind\u017eio kovotojams ir rezga pab\u0117gimo plan\u0105.
Mala ir Edekas pateko \u012f koncentracijos stovykl\u0105 vien d\u0117l to, kad yra \u0161io pasaulio gyventojai. Ta\u010diau susikirtus j\u0173dviej\u0173 keliams, g\u016bd\u017ei\u0105 Au\u0161vico tams\u0105 nu\u0161vie\u010dia viltis. Edekas \u012ftikina Mal\u0105 ne\u012fmanomu \u2013 kad, nepaisant spygliuotos tvoros, kulkosvaid\u017eiais ginkluot\u0173 kareivi\u0173 ir teritorij\u0105 skrod\u017eian\u010di\u0173 pro\u017eektori\u0173, jie i\u0161tr\u016bks i\u0161 mirties stovyklos.
Pa\u017eadas duotas: jie drauge pab\u0117gs arba drauge \u017eus. Taip u\u017esimezga viena gra\u017eiausi\u0173 \u0161i\u0173 laik\u0173 meil\u0117s istorij\u0173\u2026<\/p>\n<\/div><\/div>\n\n\n\n

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Gydytojo dukra: [istorinis romanas] \/ Shari J. Ryan; Vilnius: Sofoklis, 2023.<\/strong><\/p>\n\n\n\n

Naci\u0173 okupuotoje Lenkijoje Sofija nepaj\u0117gia pa\u017evelgti t\u0117vui \u012f akis: kaipgi jis dr\u012fsta dirbti SS gydytoju \u2013 juk jo mylima \u017emona, Sofijos motina, yra \u017eyd\u0117. Dukra negali atleisti t\u0117vui, ta\u010diau ne\u017eino, kad toks sandoris buvo sudarytas siekiant i\u0161gelb\u0117ti j\u0173 gyvybes.
Vidury nakties Izaok\u0105 su \u0161imtais kit\u0173 nelaim\u0117li\u0173 i\u0161laipina i\u0161 sausakim\u0161o traukinio. Dang\u0173 skrod\u017eia \u0161\u016bviai, o kareiviai j\u0173 likim\u0105 sprend\u017eia \u010dia pat vietoje \u2013 mirtis arba nelaisv\u0117. Izaokui tekusi dalia nuveda \u012f \u016bk\u012f netoliese. \u010cia nuo saul\u0117tekio iki saul\u0117lyd\u017eio su kitais jis rausia \u017eem\u0119 vos u\u017e kelis la\u0161us viralo per dien\u0105. Atrodo, bet kuris atod\u016bsis gali b\u016bti paskutinis, tod\u0117l, i\u0161vyd\u0119s pro dvaro lang\u0105 \u017evelgian\u010di\u0105 daili\u0105 mergin\u0105 ka\u0161toniniais plaukais, Izaokas pasijunta tarytum sapne\u2026
Sofija nesutinka steb\u0117ti vergov\u0117s savo kieme ir s\u0117d\u0117ti rankas sud\u0117jusi, tod\u0117l nepaklususi t\u0117vui rizikuoja gyvybe, kad paslap\u010dia perduot\u0173 lai\u0161k\u0105 \u017ealiaakiam jaunuoliui. Slaptas sand\u0117ris \u012f\u017eiebia Izaokui vilt\u012f i\u0161tr\u016bkti, o pavojaus akivaizdoje u\u017egimusi meil\u0117 suteikia stipryb\u0117s. Ta\u010diau ar tvyrant blogiui meil\u0117 gali triumfuoti? Ar jiedviem pavyks pasprukti nuo juos med\u017eiojan\u010di\u0173 naci\u0173?<\/p>\n<\/div><\/div>\n\n\n\n

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Au\u0161vico lop\u0161in\u0117: romanas \/ Mario Escobar; Vilnius: Tyto alba, 2023.<\/strong><\/p>\n\n\n\n

Mario Escobar (Marijus Eskobaras) \u2013 ispan\u0173 ra\u0161ytojas, istorikas, dvide\u0161imties istorini\u0173 knyg\u0173 autorius. Garsiausias jo romanas \u201eAu\u0161vico lop\u0161in\u0117\u201c \u2013 tikrais faktais gr\u012fstas pasakojimas apie ne\u012ftik\u0117tin\u0105 pasiaukojim\u0105, i\u0161tverm\u0119 ir dr\u0105s\u0105. Ir apie ma\u017eai kam \u017einom\u0105 rom\u0173 istorijos fragment\u0105.
Tas 1943 met\u0173 rytas Helenai Haneman prasid\u0117jo \u012fprastai: prikelti, nuprausti, aprengti, pavalgydinti ir i\u0161ruo\u0161ti penkis vaikus \u012f mokykl\u0105 ir \u012f dar\u017eel\u012f\u2026 Ta\u010diau pasirod\u0117 policija, ir baisiausi Helenos nuog\u0105stavimai pasitvirtino: jos vyras Johanas, vienas geriausi\u0173 \u0161alies muzikant\u0173, ir visi j\u0173 vaikai SS reichsfiurerio Heinricho Himlerio \u012fsakymu privalo b\u016bti internuoti. Taip, j\u0173 \u0161eima ne\u012fprasta: grynakrauj\u0117 vokiet\u0117 i\u0161tek\u0117jo u\u017e romo. Ta\u010diau Helenai jis buvo pats nuostabiausias vyras pasaulyje. Helenos i\u0161ve\u017eam\u0173j\u0173 s\u0105ra\u0161e nebuvo, ji gal\u0117jo likti, bet negi motina gali i\u0161siskirti su savo vaikais? Ji am\u017eiams susiejo savo likim\u0105 ne tik su \u0161eima, bet ir su visa rom\u0173 tauta\u2026
Kelion\u0117 baigiasi Au\u0161vice, Birkenau rom\u0173 stovykloje, kur gr\u0117smingi gandai tampa realybe. Su\u017einoj\u0119s, kad Helena \u2013 ne tik tikra vokiet\u0117, bet ir profesionali slaugytoja, daktaras Jozefas Mengel\u0117 paskiria j\u0105 vadovauti stovyklos rom\u0173 vaik\u0173 dar\u017eeliui \u2013 vietai, kur laikomi vaikai jo siaubingiems eksperimentams. Helena tampa vienintele pasmerkt\u0173 vaik\u0173 atrama, o dar\u017eelis \u2013 vieninteliu prieglobs\u010diu.
\u201eAu\u0161vico lop\u0161in\u0117\u201c \u2013 istorija apie moters dvasios didyb\u0119, apie pasiaukojam\u0105 meil\u0119 ir i\u0161tikimyb\u0119. Apie \u0161viesos spindul\u012f, nu\u0161vietus\u012f vien\u0105 tamsiausi\u0173 ir ma\u017eiausiai \u017einom\u0173 Holokausto istorijos puslapi\u0173.<\/p>\n<\/div><\/div>\n\n\n\n

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\u0160ird\u017ei\u0173 karalius ir v\u0117l suka arklius: [romanas] \/ Hanna Krall; Vilnius: Homo liber, 2017.<\/strong><\/p>\n\n\n\n

Tai puikus, lakoni\u0161kas, meistri\u0161kai supintas romanas, vienos beproti\u0161kai savo vyr\u0105 mylin\u010dio moters l\u016bpomis papasakota istorija apie Antrojo pasaulinio karo s\u016bkur\u012f patekusi\u0105 jos \u0161eim\u0105.
Hanna Krall \u2013 Var\u0161uvoje 1935 m. gimusi ra\u0161ytoja, reporter\u0117, tarp kit\u0173 tem\u0173 nema\u017e\u0105 d\u0117mes\u012f skirianti Holokaustui okupuotoje Lenkijoje. Karo metais prarado visus savo \u017eyd\u0173 kilm\u0117s artimuosius, o pati stebuklingu b\u016bdu i\u0161liko.<\/p>\n<\/div><\/div>\n\n\n\n

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Always remember your name: the children of Auschwitz \/ Andra Bucci; London: Manilla Press, [2022].<\/strong><\/p>\n\n\n\n

A haunting WWII memoir of two sisters who survived Auschwitz that picks up where Anne Frank\u2019s Diary left off and gives voice to the children we lost. On March 28, 1944, six-year-old Tati and her four-year-old sister Andra were roused from their sleep and arrested. Along with their mother, Mira, their aunt, and cousin Sergio, they were deported to Auschwitz.Over 230,000 children were deported to the camp, where Josef Mengele, the Angel of Death, performed deadly experiments on them. Only a few dozen children survived, Tati and Andra among them. Tati, Andra, and Sergio were separated from their mothers upon arrival. But Mira was determined to keep track of her girls. After being tattooed with their inmate numbers, she made them memorize her number and told them to \u201calways remember your name.\u201d In keeping this promise to their mother, the sisters were able to be reunited with their parents when WWII ended. An unforgettable narrative of the power of sisterhood in the most extreme circumstances, and of how a mother\u2019s love can overcome the most impossible odds, the Bucci sisters\u2019 memoir is a timely reminder that separating families is an inexcusable evil.<\/p>\n<\/div><\/div>\n\n\n\n

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Istorin\u0117 ir atminties tematikos gro\u017ein\u0117 literat\u016bra<\/strong><\/h4>\n\n\n\n

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Atmin\u010diai atminti [romanas] \/ Marija Stepanova; Vilnius : Alma littera, 2023.<\/strong><\/p>\n\n\n\n

Po tetos mirties \u201eAtmin\u010diai atminti” pasakotoja per\u017ei\u016bri but\u0105, piln\u0105 pablukusi\u0173 nuotrauk\u0173, sen\u0173 atviruk\u0173, lai\u0161k\u0173, dienora\u0161\u010di\u0173 ir suvenyr\u0173 \u2013 tikr\u0105 istorijos sand\u0117l\u012f. R\u016bpestingai sud\u0117liotos \u0161ios \u0161ukel\u0117s pasakoja apie niekuo i\u0161 pa\u017ei\u016bros nei\u0161siskirian\u010di\u0105 \u017eyd\u0173 \u0161eim\u0105, ka\u017ekaip i\u0161vengusi\u0105 represij\u0173, persekiojim\u0173 ir Holokausto.
\u0160i knyga \u2013 asmenin\u0117s ir istorin\u0117s atminties studija. Autor\u0117 neatriboja \u0161i\u0173 s\u0105vok\u0173, ie\u0161ko susilietimo ta\u0161k\u0173 ir neju\u010dia pasakojimas apie savo \u0161eim\u0105 tampa \u0161alies istorija. Dokumentin\u0117 \u0161eimos saga papildyta \u012fsp\u016bdingais eseistiniais intarpais apie \u012fvairi\u0173 laikotarpi\u0173 menininkus, kuri\u0173 k\u016bryba vienaip ar kitaip susijusi su atminties tema. Supindama kelis pasakojimo \u017eanrus (Froido \u012fvardyt\u0105j\u012f romans\u0105 \u2013 \u0161eimos roman\u0105, taip pat es\u0117 ir memuarus) autor\u0117 bando pa\u017eadinti atmint\u012f ir pab\u0117gti nuo u\u017emar\u0161ties.<\/p>\n<\/div><\/div>\n\n\n\n

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Askona: Remarko tremties metai prie Mad\u017eor\u0117s e\u017eero [romanas] \/ Edgar Rai; Vilnius: Briedis, 2023.<\/strong><\/p>\n\n\n\n

Nakt\u012f prie\u0161 Hitlerio paskyrim\u0105 reichskancleriu \u0116richas Marija Remarkas pab\u0117ga i\u0161 Berlyno ir emigruoja \u012f \u0160veicarij\u0105 prie Mad\u017eor\u0117s e\u017eero. S\u0117km\u0117s sulauk\u0119s ra\u0161ytojas t\u0117vyn\u0117je nebesijau\u010dia saugus, o netrukus naciai ima deginti jo romanus ant lau\u017eo. D\u0117l politini\u0173 \u012fvyki\u0173 Remarkas pasineria \u012f gili\u0105 sumai\u0161t\u012f ir bevilti\u0161kai stengiasi para\u0161yti nauj\u0105 knyg\u0105. Depresij\u0105 jis slopina cigaret\u0117mis ir alkoholiu, i\u0161tvirkavimu bei erotiniais nuotykiais su buvusia \u017emona Juta. Ji taip pat b\u0117ga nuo naci\u0173, kuri\u0173 veikla ir skleid\u017eiamos id\u0117jos kasdien didina Askonos tremtini\u0173 bendruomen\u0119. Remarkui niekaip nepavyksta u\u017ebaigti romano \u201eTrys draugai\u201c, o vilties i\u0161sigelb\u0117ti suteikia tik susitikimas su jo gyvenimo moterimi, kuri visiems laikams nutraukia ra\u0161ytojo tremt\u012f \u0160veicarijoje.
Tikrais faktais paremtame romane vaizduojamas ne tik garsusis vokie\u010di\u0173 ra\u0161ytojas, bet ir daugyb\u0117 gerai \u017einom\u0173 asmenybi\u0173, kurios prarado t\u0117vyn\u0119 ir tremtyje svyruoja tarp bej\u0117gi\u0161kumo ir vilties. Itin ry\u0161k\u0173 vaidmen\u012f Remarko gyvenime atliko ir fatali\u0161koji Marlena Dytrich.<\/p>\n<\/div><\/div>\n\n\n\n

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Kita gro\u017ein\u0117 literat\u016bra<\/h4>\n\n\n\n

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\u017dmogus, kuris miega: [romanas] \/ Georges Perec; [Vilnius]: Lapas, [2023].<\/strong><\/p>\n\n\n\n

Viskas prasid\u0117jo (o gal baig\u0117si?) nenu\u0117jus \u012f egzamin\u0105. Tada buvo apleisti draugai, pamir\u0161ti \u012fsipareigojimai, i\u0161braukti planai. Dienomis beliko sl\u0117ptis nuo viso pasaulio, o nakties tamsoje vaiduokli\u0161kai klaid\u017eioti miesto gatv\u0117mis: tapti \u017emogumi, kuris miega.
Garsus pranc\u016bz\u0173 postmodernistas Georges Perec (1936\u20131982) antruoju asmeniu para\u0161ytame romane tarytum paraly\u017eiuoja laik\u0105 ir \u012ftraukia \u012f svaiginant\u012f sapn\u0105, kuriame pinasi vidin\u0117s baim\u0117s, apatija ir prasm\u0117s paie\u0161kos.<\/p>\n<\/div><\/div>\n\n\n\n

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Ta pati up\u0117: [romanas] \/ Jaan Kaplinski; Vilnius : Homo liber, 2018.<\/strong><\/p>\n\n\n\n

Autobiografiniais faktais i\u0161 dalies paremtas romanas \u2013 vienas geriausiai \u012fvertint\u0173 \u0161iuolaikini\u0173 est\u0173 k\u016brini\u0173. Veiksmo vieta \u2013 pra\u0117jusio \u0161imtme\u010dio septintojo de\u0161imtme\u010dio Estija. Tre\u010diuoju asmeniu vaizduojamas bevardis studentas filologas sud\u0117tingais politinio \u201eat\u0161ilimo” laikais bando suprasti geopolitinius \u017eaidimus \u0161iuolaikiniame pasaulyje, ie\u0161ko atsakym\u0173 \u012f egzistencinius klausimus. \u017danriniu po\u017ei\u016briu k\u016brinys artimas saviugdos romano (\u201eBildungsroman”) tradicijoms, kai pagrindinis d\u0117mesys skiriamas savojo \u201ea\u0161” paie\u0161koms, psichologiniam ir moraliniam augimui, svarbiems charakterio poky\u010diams.<\/p>\n<\/div><\/div>\n\n\n\n

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Musi\u0173 valdovas: [romanas] \/ William Golding; Vilnius: Alma littera, 2020.<\/strong><\/p>\n\n\n\n

Klasika tap\u0119s filosofinis angl\u0173 ra\u0161ytojo William Golding pasakojimas apie berniukus, likusius vienus negyvenamoje saloje ir kurian\u010dius trapi\u0105 bendruomen\u0119, nes\u0117kmingai bandan\u010dius i\u0161likti civilizuotais \u017emon\u0117mis ir kovojan\u010dius su savo tamsiausiomis baim\u0117mis.
\u012esp\u016bdingas salos gro\u017eis, simboliniai \u017eenklai ir veiksmai sukuria ypating\u0105 \u201eMusi\u0173 valdovo\u201c atmosfer\u0105, o vaik\u0173 elgesys ir j\u0173 sprendimai i\u0161kelia roman\u0105 auk\u0161\u010diau vaiki\u0161kos literat\u016bros ir prilygina filosofiniams k\u016briniams.
\u201eMusi\u0173 valdovas\u201c \u2013 tai filosofinis alegorinis romanas, atskleid\u0119s \u017eemiausi\u0173 instinkt\u0173 ir nuod\u0117mi\u0173 slaptavietes \u017emogaus sieloje. Moralinis pasakojimas ar net apokalips\u0117s vizija \u2013 \u201eMusi\u0173 valdovas\u201c yra iki \u0161iol vienas \u012fsimintiniausi\u0173 pasakojim\u0173 apie \u017emogaus sielos tams\u0105.
Pasak paties romano autoriaus William Golding, tereikia tam tikr\u0173 s\u0105lyg\u0173, kad \u017eemiausi \u017emogaus polinkiai tarpt\u0173 ir u\u017ego\u017et\u0173 auk\u0161tesnius tikslus. Tad kas skiria \u017emog\u0173 nuo \u017ev\u0117ries?<\/p>\n<\/div><\/div>\n\n\n\n

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Vakar\u0173 fronte nieko naujo : [romanas] \/ Erich Maria Remarque; Kaunas : Jotema, [2023].<\/strong><\/p>\n\n\n\n

Ericho Maria Remarque\u2018o (1898\u20131970) romanas \u201eVakar\u0173 fronte nieko naujo\u201c (1929), viena i\u0161kiliausi\u0173 ir populiariausi\u0173 XX a. pasaulin\u0117s literat\u016bros vir\u0161\u016bni\u0173, laikomas bene i\u0161rai\u0161kingiausiu \u201eprarastosios kartos\u201c ra\u0161ytoj\u0173 manifestu ir \u012ftaigiausiu k\u016briniu apie kar\u0105. Paprastomis, nat\u016braliomis ir lakoni\u0161komis stilistin\u0117mis priemon\u0117mis Remarque\u2018as u\u017e\u010diuop\u0117 ir \u012fprasmino pagrindinio herojaus Pauliaus Boimerio ir jo bendraam\u017ei\u0173, atsid\u016brusi\u0173 mirties akivaizdoje, dvasines b\u016bsenas.<\/p>\n<\/div><\/div>\n\n\n\n

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Istorin\u0117 mokslin\u0117 literat\u016bra ir publicistika<\/h4>\n\n\n\n

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Akimirka apsispr\u0119sti: Lietuvos \u017eyd\u0173 gelb\u0117toj\u0173 istorijos \/ Zigmas Vitkus; iliustravo Mindaugas Luko\u0161aitis; Vilnius: Alma littera, 2023.<\/strong><\/p>\n\n\n\n

Tikri herojai nevilki apsiaust\u0173, ned\u0117vi veid\u0105 slepian\u010di\u0173 kauki\u0173 ir neturi antgamti\u0161k\u0173 gali\u0173. Sutik\u0119s gatv\u0117je \u2013 j\u0173 neatpa\u017einsi. \u017dmon\u0117s kaip \u017emon\u0117s. O vis d\u0117lto jie t\u0105 lemiam\u0105 akimirk\u0105, kai reikia apsispr\u0119sti, \u012f kuri\u0105 pus\u0119 \u2013 g\u0117rio ar blogio \u2013 stoti, jei ir sudvejoja, tai tik minut\u0117l\u0119 ir, nepaisydami mirtino pavojaus, daro tai, kas teisinga.
XX a. viduryje, kilus Antrajam pasauliniam karui, buvo atverstas bene tamsiausias puslapis Europos, taip pat ir Lietuvos, istorijoje \u2013 Holokaustas. Naciai, nusprend\u0119 i\u0161\u017eudyti visus \u017eydus, prad\u0117jo masin\u012f \u0161ios tautos naikinim\u0105. Dalis \u017emoni\u0173 bendradarbiavo su naciais arba laik\u0117si pasyviai. Bet ne visi. Knyga \u201eAkimirka apsispr\u0119sti” \u2013 apie dalel\u0119 j\u0173. Dvide\u0161imt keturios tikros istorijos apie tuos Lietuvos gyventojus (ir svetim\u0161alius), kurie, rizikuodami savo ir savo \u0161eimos gyvyb\u0117mis, ne tik gelb\u0117jo \u017eydus, bet ir iki \u0161iol neleid\u017eia u\u017egesti tik\u0117jimui \u017emogumi ir nesavanaudi\u0161ku jo gerumu.<\/p>\n<\/div><\/div>\n\n\n\n

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Klaida, 1941 metai \/ Alexander Gogun; Vilnius: Briedis, 2023.<\/strong><\/p>\n\n\n\n

\u0160ioje knygoje, pasakojan\u010dioje apie Stalino ketinimus u\u017ekariauti Europ\u0105 ir nu\u0161vie\u010dian\u010dioje kitas ma\u017eiau \u017einomas istorijos temas, pateikiami pastar\u0173j\u0173 dviej\u0173 de\u0161imtme\u010di\u0173 straipsniai ir interviu su Antrojo pasaulinio karo ekspertais, Soviet\u0173 S\u0105jungos totalitarizmo \u017einovais.
Paskutiniame skyriuje publikuojami anks\u010diau neskelbti Vokietijos, Rusijos, Ukrainos, Moldovos archyv\u0173 dokumentai apie 1941 met\u0173 \u012fvykius, Kremliaus \u0161eimininko sumanymus ir siekius.
Taip pat pateikiama Rumunijos speciali\u0173j\u0173 tarnyb\u0173 ir NKVD prane\u0161im\u0173, Raudonosios armijos ir laivyno \u017evalgybos bei operatyvinio planavimo dokument\u0173, Tre\u010diojo reicho diplomat\u0173 prane\u0161im\u0173, karo dalyvi\u0173 atsiminim\u0173, kit\u0173 anks\u010diau ne\u017einom\u0173 tos epochos liudijim\u0173, pavyzd\u017eiui, Stalino nurodymas d\u0117l Lenkijos SSR suk\u016brimo jau 1939 metais.<\/p>\n<\/div><\/div>\n\n\n\n

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Totalitarizmo i\u0161takos \/ Hannah Arendt; Vilnius: Tyto alba, 2022.<\/strong><\/p>\n\n\n\n

Nuo pat i\u0161leidimo 1951 m. knyga \u201eTotalitarizmo i\u0161takos\u201c laikoma pagrindine totalitarin\u0117s m\u0105stysenos studija pasaulyje. Pra\u0117jus de\u0161im\u010diai met\u0173 po \u201eTotalitarizmo i\u0161tak\u0173\u201c pasirodymo, laikra\u0161tis Times Literary Supplement pavadino \u0161i\u0105 knyg\u0105 klasikine, ir nuo to laiko Hannah Arendt veikalas i\u0161lieka vienu i\u0161 da\u017eniausiai referuojam\u0173 k\u016brini\u0173 totalitarini\u0173 jud\u0117jim\u0173 studijose ir diskusijose.
Knygoje tyrin\u0117jami totalitarini\u0173 jud\u0117jim\u0173, propagandos, teroro, vyriausybi\u0173 institucij\u0173 veiksmai, sutelkiant d\u0117mes\u012f \u012f tikr\u0105sias istorijoje \u017einomas totalitarinio valdymo formas \u2013 Vokietijos nacizm\u0105 ir Rusijos stalinizm\u0105, \u2013 kurias autor\u0117 pristato kaip dvi to paties medalio puses, o ne atskiras de\u0161ini\u0173j\u0173 ir kairi\u0173j\u0173 filosofijas.
H. Arendt pateikta \u0161iurpinanti s\u0105lyg\u0173, l\u0117musi\u0173 nacizmo ir stalinizmo totalitarini\u0173 re\u017eim\u0173 atsiradim\u0105 ir suklest\u0117jim\u0105, analiz\u0117 yra istorijos \u012fsp\u0117jimas apie laisv\u0117s trapum\u0105, aktualus ir XXI am\u017eiuje.<\/p>\n<\/div><\/div>\n\n\n\n

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Atmin\u010diai atminti [romanas] \/ Marija Stepanova; Vilnius : Alma littera, 2023.<\/strong><\/p>\n\n\n\n

Po tetos mirties \u201eAtmin\u010diai atminti” pasakotoja per\u017ei\u016bri but\u0105, piln\u0105 pablukusi\u0173 nuotrauk\u0173, sen\u0173 atviruk\u0173, lai\u0161k\u0173, dienora\u0161\u010di\u0173 ir suvenyr\u0173 \u2013 tikr\u0105 istorijos sand\u0117l\u012f. R\u016bpestingai sud\u0117liotos \u0161ios \u0161ukel\u0117s pasakoja apie niekuo i\u0161 pa\u017ei\u016bros nei\u0161siskirian\u010di\u0105 \u017eyd\u0173 \u0161eim\u0105, ka\u017ekaip i\u0161vengusi\u0105 represij\u0173, persekiojim\u0173 ir Holokausto.
\u0160i knyga \u2013 asmenin\u0117s ir istorin\u0117s atminties studija. Autor\u0117 neatriboja \u0161i\u0173 s\u0105vok\u0173, ie\u0161ko susilietimo ta\u0161k\u0173 ir neju\u010dia pasakojimas apie savo \u0161eim\u0105 tampa \u0161alies istorija. Dokumentin\u0117 \u0161eimos saga papildyta \u012fsp\u016bdingais eseistiniais intarpais apie \u012fvairi\u0173 laikotarpi\u0173 menininkus, kuri\u0173 k\u016bryba vienaip ar kitaip susijusi su atminties tema. Supindama kelis pasakojimo \u017eanrus (Froido \u012fvardyt\u0105j\u012f romans\u0105 \u2013 \u0161eimos roman\u0105, taip pat es\u0117 ir memuarus) autor\u0117 bando pa\u017eadinti atmint\u012f ir pab\u0117gti nuo u\u017emar\u0161ties.<\/p>\n<\/div><\/div>\n\n\n\n

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Mosado amazon\u0117s: i\u0161skirtin\u0117s Izraelio \u017evalgybos moterys \/ Michael Bar-Zohar, Nissim Mishal; Vilnius: Briedis, 2022.<\/strong><\/p>\n\n\n\n

Pa\u017evelkime \u012f audringus geriausi\u0173 Mosado lohamet, Izraelio slaptosios tarnybos kovotoj\u0173 moter\u0173, gyvenimus, meil\u0117s istorijas ir pra\u017e\u016btingas misijas. Priblo\u0161kiantys \u0161i\u0173 stipri\u0173, dr\u0105si\u0173 moter\u0173 \u017eygdarbiai \u012frodo, kad jos n\u0117 kiek nenusileid\u017eia vyrams, o neretai juos netgi pranoksta. Joms tenka susidurti ne tik su savo tautos prie\u0161ais, bet ir su skausminga vienatve, nemaloniu koleg\u0173 vyr\u0173 po\u017ei\u016briu \u012f jas, da\u017enai jos priverstos atsisakyti svajon\u0117s susituokti ir susilaukti vaik\u0173. Ir vis d\u0117lto savo misijas jos vykdo puikiai. Kvap\u0105 gniau\u017eia amazoni\u0173 \u017eygdarbiai: nuo Yoland\u0117s, atsid\u016brusios karaliaus Farouko karali\u0161kuosiuose r\u016bmuose, iki Dinos, kuriai pavyko per\u017eengti Irano branduolinio archyvo slenkst\u012f; nuo Shulos, nuteistos mirti kartuv\u0117se, iki Sigal\u0117s, u\u017everbavusios geriausius musulmon\u0173 agentus; nuo Marcell\u0117s, i\u0161\u0161okusios per egiptie\u010di\u0173 kankinimo kambario lang\u0105, iki Yael\u0117s, Isabel\u0117s ir Daniell\u0117s, kurios nedvejodamos n\u0117r\u0117 tiesiai li\u016btui \u012f nasrus. Linda per stebukl\u0105 i\u0161gyveno Holokaust\u0105, Aliza pralau\u017e\u0117 ledus ly\u010di\u0173 lygyb\u0117s srityje, o ypatingas jaun\u0173 moter\u0173 trio i\u0161gelb\u0117jo Izrael\u012f nuo siaubingo pavojaus\u2026<\/p>\n<\/div><\/div>\n\n\n\n

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Bloodlands: Europe between Hitler and Stalin \/ Timothy Snyder. \u2013 [London]: Vintage, [2015].<\/strong><\/p>\n\n\n\n

Under Hitler and Stalin the Nazi and Soviet regimes murdered fourteen million people in the bloodlands between Berlin and Moscow.
The killing fields extended from central Polads to western Russia. For twelve savage years, on this blood-soaked soil an average of one million individuals – mostly women, children, and the aged – were murdered yearly. Though in 1939 these lands became battlefields, not one of these fourteen million was killed in combat. They were victims of a murderous policy, not casualties of war.
In this deeply unsettling and revelatory book, Timothy Snyder gives voice to the testimony of the victims through the letters home, the notes flung from trains, the diaries on corpses. It is a brilliantly researched, profoundly humane, and authoritative book that demands we pay attention to those that history is in danger of forgetting.<\/p>\n<\/div><\/div>\n\n\n\n

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Biografijos<\/h4>\n\n\n\n

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\u0160e\u0161ios Michailo Aleksandrovi\u010diaus karjeros: tenoro gyvenimas \/ Leonid Machlis; Vilnius: Homo liber, 2021.<\/strong><\/p>\n\n\n\n


Knyga apie pasaulinio garso daininink\u0105 Michail\u0105 Aleksandrovi\u010di\u0173 (1914\u20132002), gimus\u012f Latvijoje, Bir\u017ei\u0173 kaime. Jo \u012fsp\u016bdinga dainininko karjera prasid\u0117jo Kaune, kur jis, netur\u0117damas dar n\u0117 de\u0161imties met\u0173, pirm\u0105 kart\u0105 pasirod\u0117 vie\u0161ame koncerte Valstybiniame teatre (akompanavo L. Hofmekleris) ir sulauk\u0117 entuziasting\u0173 \u012fvertinim\u0173 ir buvo pavadintas vunderkindu. Knygoje dokumentiniu tikslumu ir su beletristo talentu apra\u0161omas sud\u0117tingo likimo dainininko gyvenimo kelias. Pasaulin\u0117 \u0161lov\u0117, gra\u017eios ir li\u016bdnos akimirkos, likimo sm\u016bgiai ir dovanos \u2013 visa tai \u017eurnalisto, vert\u0117jo ir ra\u0161ytojo Leonido Maclio \u012fk\u016bnyta virtuozi\u0161kai derinant faktus ir asmenyb\u0117s brand\u0105 pla\u010diame istoriniame kontekste, atskleid\u017eiant XX a. kult\u016brin\u0119, ypa\u010d muzikin\u0119, politinio ir visuomeninio gyvenimo panoram\u0105, apiman\u010di\u0105 prie\u0161kario ir pokario Europ\u0105 ir JAV. Michailas Aleksandrovi\u010dius pasaulyje \u017einomas kaip ital\u0173, rus\u0173, \u017eyd\u0173 oper\u0173 arij\u0173, populiari\u0173 dain\u0173 atlik\u0117jas. Yra dainav\u0119s ir lietuvi\u0173 liaudies dain\u0173. Iliustruota nuotraukomis. Priedas: Michailo Aleksandrovi\u010diaus atlikt\u0173 k\u016brini\u0173 kompaktinis diskas.<\/p>\n<\/div><\/div>\n\n\n\n

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Bibi: my story \/ Benjamin Netanyahu. \u2013 New York, N.Y. [etc.]: Threshold Editions, [2022].<\/strong><\/p>\n\n\n\n

In this memoir, Bibi weaves together his gripping personal story with the dramatic history of Israel and the Jewish people. Through a host of vivid anecdotes, he narrates his own evolution from soldier to statesman, while providing a unique perspective on leadership, the fraught geopolitics of the Middle East, and his successful efforts to liberate Israel\u2019s economy, which helped turn it into a global powerhouse of technological innovation.
Netanyahu gives colorful, detailed, and revealing accounts of his often turbulent relationships and negotiations with Presidents Clinton, Obama, and Trump. With eye-opening candor, he delves into the back channels of high diplomacy\u2014including his struggle against the radical forces that threaten Israel and the world at large, and the decisive events that led to Israel\u2019s groundbreaking 2020 peace agreements with four Arab states.<\/p>\n<\/div><\/div>\n\n\n\n

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Jerzy Giedroyc \/ Magdalena Grochowska; Vilnius: Mokslo ir enciklopedij\u0173 leidybos centras, 2016.<\/strong><\/p>\n\n\n\n

Knyga apie lenk\u0173 publicist\u0105, politik\u0105, emigracijos veik\u0117j\u0105, Lietuvos kunigaik\u0161\u010di\u0173 Giedrai\u010di\u0173 gimin\u0117s palikuon\u012f J. Giedroyc\u0105 (1906-2000).
Magdalenos Grochowskos knygoje \u201eJerzy Giedoryc” pateikiama plati XX am\u017eiaus antrosios pus\u0117s istorinio, politinio, kult\u016brinio gyvenimo panorama, pasakojama apie Jerzy Giedroyco bendradarbiavim\u0105 su daugybe pasaulinio lygio literat\u0173, kult\u016bros veik\u0117j\u0173, politik\u0173. Savo veikloje ir darbuose Jerzy Giedroycas daug d\u0117mesio skyr\u0117 daugiatautei Lietuvos Did\u017eiajai Kunigaik\u0161tystei bei jos paveldui, buvusios LDK taut\u0173 dabartin\u0117ms problemoms, r\u016bpinosi draugi\u0161kais Lietuvos ir Lenkijos, lietuvi\u0173 ir lenk\u0173 santykiais, aktyviai r\u0117m\u0117 Lietuvos kov\u0105 d\u0117l nepriklausomyb\u0117s.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

\u0160i\u0105 savait\u0119 kvie\u010diame pasi\u017evalgyti po bibliotekos naujien\u0173 lentyn\u0105, kur ka\u017ek\u0105 \u012fdomaus ras \u012fvairi\u0173 pom\u0117gi\u0173 skaitytojai. \u0160iuos ir kitus leidinius galite pasiimti \u012f namus u\u017esuk\u0119 \u012f Vilniaus \u017eyd\u0173 vie\u0161\u0105j\u0105 bibliotek\u0105 arba u\u017esisakyti per internetin\u012f portal\u0105 https:\/\/ibiblioteka.lt\/ Jonathan Sacks: \u201eMoral\u0117\u201c : [filosofija, teologija] \/ Vilnius: Tyto kalba, 2021. N\u0117ra laisv\u0117s be moral\u0117s. Laisv\u0117s be atsakomyb\u0117s. Gyvybingo \u201eA\u0161\u201c […]<\/p>\n","protected":false},"author":146,"featured_media":26112,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[9,19,13],"tags":[],"class_list":["post-25792","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-naujienos","category-naujos-knygos","category-rekomendacija"],"_links":{"self":[{"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/posts\/25792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/users\/146"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/comments?post=25792"}],"version-history":[{"count":0,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/posts\/25792\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/media\/26112"}],"wp:attachment":[{"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/media?parent=25792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/categories?post=25792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/tags?post=25792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}