{"id":27035,"date":"2026-04-30T10:29:54","date_gmt":"2026-04-30T07:29:54","guid":{"rendered":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/?p=27035"},"modified":"2026-04-30T11:01:40","modified_gmt":"2026-04-30T08:01:40","slug":"siandien-minint-tarptautine-dziazo-diena-prisiminkim-ir-garsiausia-daveo-brubecko-kvarteta","status":"publish","type":"post","link":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/2026\/04\/30\/siandien-minint-tarptautine-dziazo-diena-prisiminkim-ir-garsiausia-daveo-brubecko-kvarteta\/","title":{"rendered":"\u0160iandien minint Tarptautin\u0119 d\u017eiazo dien\u0105, prisiminkim ir garsiausi\u0105 Dave\u2018o Brubecko kvartet\u0105"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"711\" height=\"555\" src=\"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/files\/2026\/04\/Brubeko-kvartetas.jpg\" alt=\"\" class=\"wp-image-27037\" srcset=\"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/files\/2026\/04\/Brubeko-kvartetas.jpg 711w, https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/files\/2026\/04\/Brubeko-kvartetas-300x234.jpg 300w\" sizes=\"auto, (max-width: 711px) 100vw, 711px\" \/><\/figure>\n\n\n\n<p>I\u0161 kair\u0117s: Paul Desmond (saksofonas); Joe Morello (bugnai); Eugene Wright (kontrabosas); Dave Brubeck (pianistas).<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>&nbsp;Keletas \u012fdomi\u0173 istorij\u0173 apie Dave\u2018o Brubeko kvartet\u0105.<\/em><\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Dave&#8217;o Brubecko kvartetas<\/em><\/strong> buvo ne tik populiarus, bet ir tikras d\u017eiazo inovacij\u0173 bei princip\u0173 bastionas. \u0160tai keletas \u012fdomi\u0173 istorij\u0173, kurios apib\u016bdina j\u0173 unikalum\u0105:<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>\u201eTake Five\u201c ir skai\u010di\u0173 \u017eaidimai<\/em><\/strong><\/p>\n\n\n\n<p>\u017dymiausias j\u0173 k\u016brinys \u201eTake Five\u201c gim\u0117 i\u0161 b\u016bgnininko Joe Morello praktikos. Tuo metu d\u017eiaze dominavo standartiniai ritmai (4\/4 arba 3\/4), ta\u010diau Brubeckas i\u0161girdo Morello improvizuojant sud\u0117tingu 5\/4 metru. Brubeckas papra\u0161\u0117 saksofonininko Paulo Desmondo para\u0161yti melodij\u0105 b\u016btent \u0161iam ritmui. Desmondas v\u0117liau juokavo, kad tai tebuvo \u201elaimingas atsitiktinumas\u201c, ta\u010diau k\u016brinys tapo perkamiausiu d\u017eiazo singlu istorijoje.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Kova u\u017e lygyb\u0119: \u201eGrojam kartu arba negrojam visai\u201c<\/em><\/strong><\/p>\n\n\n\n<p>Kvarteto kontrabosininkas Eugene&#8217;as Wrightas buvo afroamerikietis. 1950-aisiais JAV vis dar galiojo segregacija. Brubeckas principingai at\u0161auk\u0117 23 koncertus i\u0161 25 Piet\u0173 valstij\u0173 universitetuose, nes \u0161ie reikalavo, kad Wrightas b\u016bt\u0173 pakeistas baltuoju muzikantu arba grot\u0173 u\u017e u\u017edangos. Brubeckas taip pat atsisak\u0117 pasirodyti populiariose TV laidose, jei kameros nefiksuos Wrighto veido.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Paulo Desmondo \u201esausas martinis\u201c<\/em><\/strong><\/p>\n\n\n\n<p>Saksofonininkas Paulas Desmondas gars\u0117jo savo ne\u012ftik\u0117tinai \u0161velniu tonu. Jis sakydavo: \u201eA\u0161 noriu, kad mano saksofonas skamb\u0117t\u0173 kaip sausas martinis\u201c. \u0160is \u201ev\u0117sus\u201c (cool jazz) stilius buvo puikus atsvaras intelektualiam ir kartais agresyviam Brubecko grojimui pianinu. J\u0173 ry\u0161ys buvo toks stiprus, kad po Desmondo mirties Brubeckas ilg\u0105 laik\u0105 savo kvartete nebenaudojo saksofono, nes sak\u0117, kad niekas negali pakeisti Paulo.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Vir\u0161elis, pakeit\u0119s visk\u0105<\/em><\/strong><\/p>\n\n\n\n<p>Albumas \u201eTime Out\u201c (1959) buvo toks rizikingas (d\u0117l keist\u0173 ritm\u0173 ir abstraktaus meno ant vir\u0161elio), kad \u012fra\u0161\u0173 kompanija \u201eColumbia Records\u201c netik\u0117jo jo s\u0117kme. Tai buvo vienas pirm\u0173j\u0173 d\u017eiazo album\u0173, kuriame nebuvo muzikant\u0173 nuotrauk\u0173 ant vir\u0161elio \u2013 tik modernus paveikslas. Nepaisant baimi\u0173, jis tapo pirmuoju d\u017eiazo albumu, parduotu daugiau nei milijono tira\u017eu.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u0161 kair\u0117s: Paul Desmond (saksofonas); Joe Morello (bugnai); Eugene Wright (kontrabosas); Dave Brubeck (pianistas). &nbsp;Keletas \u012fdomi\u0173 istorij\u0173 apie Dave\u2018o Brubeko kvartet\u0105. Dave&#8217;o Brubecko kvartetas buvo ne tik populiarus, bet ir tikras d\u017eiazo inovacij\u0173 bei princip\u0173 bastionas. \u0160tai keletas \u012fdomi\u0173 istorij\u0173, kurios apib\u016bdina j\u0173 unikalum\u0105: \u201eTake Five\u201c ir skai\u010di\u0173 \u017eaidimai \u017dymiausias j\u0173 k\u016brinys \u201eTake Five\u201c gim\u0117 [&hellip;]<\/p>\n","protected":false},"author":146,"featured_media":27036,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-27035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-naujienos"],"_links":{"self":[{"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/posts\/27035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/users\/146"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/comments?post=27035"}],"version-history":[{"count":0,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/posts\/27035\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/media\/27036"}],"wp:attachment":[{"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/media?parent=27035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/categories?post=27035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.lnb.lt\/vilniusjewishpubliclibrary\/wp-json\/wp\/v2\/tags?post=27035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}